Tuesday, September 14, 2010

Boxing Robe Vancouver

1.34 - LA CHIESETTA

The church stands atop a small mound, a hillock on which the snow hides the pavement, which is supposed to run from the old wrought iron gate to the gates of dark wood.
All around, gravestones and crosses in the cemetery of the village surrounding the building, in the traditional manner of small parishes.
- This is disturbing - says Rudy. His breath condenses on contact with cold air, giving the impression that the words freeze in being handed down, becoming heavy as boulders.
- The shed should be on the back of the church, let's move - Joe said, walking among the graves. Greg
terminating the line. And 'as peculiar among all the tombstones and crosses, there is only one mausoleum. Intrigued, the former miner is approaching, leaving his companions continue to recover.
Inside the small chapel was sealed with a metal grate, enclosed with chain and padlock. Beyond the bars, a tiny flame burning funeral uncertain. Who can have on ...? asks Greg, but almost immediately found the answer: on the front wall stands on the grave il nome di Abramo Sterling; si tratta certamente della tomba di famiglia.
L'attenta osservazione di Greg viene interrotta bruscamente da uno strano rumore. L'ex minatore si volta, cercando con lo sguardo la fonte di quell'anomalo raspare nella neve, fino a quando non nota un cane, un mastino scuro che in prossimità di una tomba vicina al muro di recinzione affonda la testa nella neve e scava con le zampe anteriori.
Un'improvvisa sensazione di inquietudine assale Greg: non riesce a farsi domande, non riesce a pensare, a riflettere. Quella semplice visione di un randagio che scava in un terreno di morte risveglia paure istintive, che lo spingono a fuggire, ad allontanarsi, a raggiungere i compagni al capanno.

Monday, September 6, 2010

Effects Of Latent Syphilis

1.33 - PARENTI ILLUSTRI

Rudy, Joe and Greg set off across the snow until mid-leg. The cold is biting, the flakes fall slower and less intense the night before. The gray light of morning is monotonous and irritating to the eyes, and a whitish haze limited visibility.
The steps of the three companions are the only noise in the desolate landscape of the main street, the sound fades in a few moments, absorbed by the fall of sleet.
After a few hundred meters on the left side peep some older stores.
- Looks like an old grocery store - says Rudy.
- Let's look - says Joe.
The interior of the wood is covered from deadly drafts of cold air that filtered through the broken glass generated sharp icy currents. Cobwebs and dust reign supreme in the corners and run-down on a counter, behind which lie a decade past due for goods on the shelves of rusty metal shelves.
in here, the feeling of abandonment feels in all its fullness.
- It seems that the time has stopped here, that those who had fled leaving behind everything is here. It 's true, there seems to be nothing of value ... but why not empty the shelves? What is the point? - notes Martinez.
- Fregatene Rudy, let's get out there and half here. I've had enough of this place - Greg says as he follows with his eyes and the veteran Joe who access the back room. In
small closet illuminated by a tiny window, an old phone is hung on the wall, just below an old poster. Probably the unit was used as a public telephone. Rudy
Pick up the phone, but then shakes his head: there is no line.
- And what's that? - Joe says, pointing to the faded poster.
The poster depicts a copy of an old photograph, which shows the bust of a well-dressed man posing next to a pedestal, on which rests a box open that puts on display a precious pendant. At the foot of a photo caption reads "In memory of Abraham Sterling, 1830-1930, benefactor di Brumhill. 40° anniversario."
- Ah, ma pensa! - esclama Joe - La vecchiaccia ha parenti illustri!
- C'è scritto qualcosa sulla targhetta sotto quel cofanetto nella foto... - Rudy cerca di aguzzare la vista più che può. - Aaahhh! Dannazione! E' troppo piccolo.
Greg si avvicina alla locandina e la strappa dal muro, quindi la caccia mezza stropicciata nelle mani di Martinez: - Lascia perdere detective, non è il momento. Quando ce ne saremo andati da qui potrai prendere una bella lente d'ingrandimento e leggere con calma!